Showing posts with label Ron Tracy. Show all posts
Showing posts with label Ron Tracy. Show all posts

Thursday, November 11, 2010

Pulling out the Big Guns: Shure KSM32

I'm trying out a Shure KSM32 large diaphragm condenser mic for recording some of my posts for next week.  I also upgraded my studio headphones to ensure better mastering of comparative samples.  Here's a quick little comparison between one KSM32 and the Zoom H4n's built in stereo microphones.  It's absolutely night and day... or night in Toledo Ohio and night on the French Riviera.   

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Ron Tracy3
Ron Tracy3 with Shure KSM32

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Ron Tracy3
Ron Tracy3 with Shure KSM32

Wednesday, November 10, 2010

Ron Tracy Six String

I've been playing this six string by Ron Tracy for about a month now, and I love it.  It's a beautiful, smaller bodied instrument that really delivers.  The tone is well balanced and clear with great sustain and harmonics -  not as punchy as a traditional dreadnaught nor bottom heavy, but the lower notes do provide a subtly rich foundation for articulate playing.  One of the primary features that drew my eye to it was the cut-away - not too sharp, not too soft, leaving maximal body and top intact for tone and volume.  The action leaves very little to be desired, if anything.  It's a great guitar for singer/songwriter or gigging musician that does a wider variety of acoustic music because it is such a good balance of features, tone and playability.

Audio Samples

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Photos


Back, Neck & Sides: Mahogany
Top: Spruce
Fingerboard & Bridge: Ebony
Binding & Headstock Face: Imitation Tortoise Shell
Electronics: None
Tuners: Schallers with a Hipshot Drop-D Switch
Special Features: Drop-D Switch on 6th string, Diamond Bridge
Scale: 24.75"

Diamond Bridge

Tortoise Shell Faceplate 


The Mahogany Ron chose for the back and sides is nearly iridescent and balances well with the tortoise shell binding and headstock Face, as well as the simple, elegant rosette.  

About the Builder

Ron Tracy

Ron has been working at Hoffman Guitars for 30 years doing mostly repair work, but is a talented builder and player in his own right.

Tuesday, November 9, 2010

Comparative Test


I've had a few days with the Zoom H4n, and I'm impressed. It certainly doesn't beat getting in a real studio, but it's great for recording on location. I wish I could get a bit more definition out of the built-in condensers, but hey... they do a pretty good job for under-sized, built in microphones. Here are some samples of the guitars I've been playing lately:

1. An experimental stage acoustic by Rob Ristow.

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Rob Ristow1
Rob Ristow2
Rob Ristow3
Rob Ristow4

WAV

Rob Ristow1
Rob Ristow2
Rob Ristow3
Rob Ristow4

2. A smaller-bodied 6-string by Ron Tracy.

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Ron Tracy1
Ron Tracy2
Ron Tracy3
Ron Tracy4

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Ron Tracy1
Ron Tracy2
Ron Tracy3
Ron Tracy4

3. Tim Reede's very first Archtop.

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Tim Reede (Unplugged)1
Tim Reede (Unplugged)2
Tim Reede (Unplugged)3
Tim Reede (Unplugged)4
Tim Reede (Pickup)1
Tim Reede (Pickup)2
Tim Reede (Pickup)3
Tim Reede (Pickup)4

WAV

Tim Reede (Unplugged)1
Tim Reede (Unplugged)2
Tim Reede (Unplugged)3
Tim Reede (Unplugged)4
Tim Reede (Pickup)1
Tim Reede (Pickup)2
Tim Reede (Pickup)3
Tim Reede (Pickup)4

The recordings have no effects added, and only minor EQ adjustments made for the sake of comparison. I'll be looking at each guitar a little closer in the coming days.